Master of Arts in Recording & Music Production (1ª ed.)
Master
Semipresencial Palma de Mallorca
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Develop a career as an artist recording!
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Tipología
Master
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Metodología
Semipresencial
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Lugar
Palma de mallorca
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Inicio
Fechas a elegir
Are you interested in develop a career as an artist recording? Then you should check this programme imparted by Centro de Enseñanza Superior Alberta Giménez- Comillas that emagister.com has recently added to its catalogue.
It is evident that we have more and more auditoriums, theaters and music festivals with the need to reliably spread sound from their artists through online television and radio channels, satellites and specialized record labels.
Hence the need to have specialists with artistic sensitivity and technical skills to carry out these projects in its various stages of sound production and postproduction. The MA-RMP will offer a specialization where both the technical and the artistic part will prevail.
The master’s degree is composed of four modules: Music, Sound and Acoustics, Recording, Production and Postproduction, as well as a Final Master Thesis (FMT). The first three modules will end with a practical project.
It offers limited places. Candidates interested must hold an university degree to access these studies. Experience and knowledge of an instrument will be required as well as musical language, and basic knowledge of mathematics and physics. Oral and written level of English proovable by interview.
Don't miss this chance and ask for further information through emagister.com!
Instalaciones y fechas
Ubicación
Inicio
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Provide graduates with the tools to produce and record acoustic music in all its phases and at the highest level.
Achieve the skills to design recording and mixing systems for different environments: Cinema, video games, TV, Radio, streaming etc …
Provide graduates with the necessary acoustics tools for the evaluation of rooms and recording spaces.
Reach a high level of digital postproduction applying the most avant-garde technologies of the moment.
Provide graduates with the tools to educate the ear in its acoustic and musical part continuously.
Reach skills and abilities for the direction of musical productions with artists.
It’s required:
-An university degree.
-Experience and knowledge of an instrument, as well as musical language.
-Basic knowledge of mathematics and physics consolidated.
-Oral and written level of English proovable by interview.
-This specific award is aimed preferably at students and professionals who want to specialize in the art of sound and music production.
-The aim is to train masters of sound with the technical and artistic tools necessary to tackle successfully projects in the future.
Opiniones
Materias
- Música
- Producción musical
- Musical acoustics
- Psychoacoustics
- Sonido
- Cine
- Arte
- Creación audiovisual
- Micrófono
- Recording techniques
Temario
1. MUSICAL ACOUSTICS I
Simple and compound vibration
The vibration and its parameters
The Helmholtz resonator
Standing waves
Instumental frequency range
2. PSYCHOACOUSTICS
Auditory perception
Perceptual scales: psychoacoustic
Perceptual attributes
3. ROOM ACOUSTICS II
Reverberation and delay time
Sabine equation
Reverb radius
Acoustic materials
Acoustic architecture
Algorithmic Reverberation
Convolution reverberation
4. EAR TRAINING FOR RECORDING ENGINEERS
The human ear
Loudness curves: Fletcher and Mundson
Scales and tonality
Frequency and harmonics
Recognizing intervals
Complex listening: polyphonic harmony
5. MICROPHONE TECHNOLOGY
Classes of microphones
Electronics and construction of microphones
The big and small diaphragm
Definition of the polar pattern
6. RECORDING TECHNIQUES I
Mono and stereo sound
Introduction to mono and stereo recording techniques
Fields of application
Advanced stereo recording techniques
Decorrelation FDSC
Time delay alignment in orchestral recordings
The culture of sound I
7. RECORDING TECHNIQUES II
Advanced stereo recording techniques
The binaural sound: binaural recordings
Recording techniques for 5.1 and 7.1 surround sound
3D recording techniques AURO 3d / Dolby Atmos
Ambisonic recording techniques 360
The culture of sound II
8. HIGH RESOLUTION RECORDING SYSTEMS
A/D and D/A Converters
PCM recording systems
Recording systems in DSD and DXD
Publishing and authoring stations in PCM, DXD and DSD
Audio network protocols
9. RECORDING ON LOCATION
Location Recording designs:
Session 1: Recording music group camera
Sesión 2: Solo recording
Session 3: Orchestral recording
Sesión 4: Choral music recording
10. MUSICAL & ARTISTIC PRODUCTION
11. INSTRUMENTS AND TUNING (Steinway masterclass)
The fretboard
Families of instruments
Tuning of key instruments
Tuning of wind instruments
Tuning percussion instruments
12. SOURCE DESTINATION EDITING S/D
Non-linear audio editing styles
The digital edition with score S/D
13. MUSICAL FORMS FOR CINEMA
14.THE MIX
Sound mixing workshop I
Advanced sound mixing workshop II
15. MASTERIZATION
Mastering workshop I
Advanced mastering workshop II
16. FINAL MASTER THESIS-RECORDING PROJECT (FMT)
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Master of Arts in Recording & Music Production (1ª ed.)